We haven't been able to take payment
You must update your payment details via My Account or by clicking update payment details to keep your subscription.
Act now to keep your subscription
We've tried to contact you several times as we haven't been able to take payment. You must update your payment details via My Account or by clicking update payment details to keep your subscription.
Your subscription is due to terminate
We've tried to contact you several times as we haven't been able to take payment. You must update your payment details via My Account, otherwise your subscription will terminate.
PHOTOGRAPHY

A new exhibition reveals the magic of the celebrity Polaroid

Steven Klein is known for his glossy, poised photographs of the famous, but just as compelling are these previously unseen snaps from a time before Instagram

Kate Moss, 2003
Kate Moss, 2003
STEVEN KLEIN
The Times

If a picture is worth a thousand words, then a Polaroid speaks volumes. Before the digital age devalued the art of the candid snapshot to a commonplace, there was a certain romance attached to preserving the sort of intimate and informal moments that might otherwise be lost to time.

Madonna, 2002
Madonna, 2002
STEVEN KLEIN
David Bowie, 2003
David Bowie, 2003
STEVEN KLEIN

Ultimate Steven Klein, an exhibition of photographs that are auctioned on November 21, delves beyond the velvet rope on A-list shoots to unearth a few time-capsule shots from this less documented age. Behind the veneer of the photographer’s glossiest subjects and biggest budget shoots, Klein’s Instamatics present what we now might better know as “behind-the-scenes content”. Madonna, Prince, Brad Pitt, Claudia Schiffer — all captured in 18 never-before-seen Polaroids taken by the photographer himself on set.

Prince, 1989
Prince, 1989
STEVEN KLEIN
Naomi Campbell, 2003
Naomi Campbell, 2003
STEVEN KLEIN

Klein’s images offer a glimpse of the quieter realness before the professional exhibitionist or performer steps in to play their part. Mick Jagger, shirtless and testing a pose. Madonna in LA in 2002, her eyes closed in a gravity-defying backbend. The ever-omniscient David Bowie, captured surrounded by faux rubble in New York in 2003, is the only figure who seems preternaturally composed.

Mick Jagger, 2005
Mick Jagger, 2005
STEVEN KLEIN
Brad Pitt, 2005
Brad Pitt, 2005
STEVEN KLEIN

These days, these sorts of “backstage” shots tend to be every bit as stage-managed as the main event, often part of the package and mined for purposes of potential virality. From candid to content, the fourth wall has become more of a party wall: subject and viewer alike share the burden of pretending it is still there.

Claudia Schiffer, 1999
Claudia Schiffer, 1999
STEVEN KLEIN

Those who remember a time when memories were stored in albums rather than the Cloud will know that back then taking a Polaroid was an event in itself: this exhibition feels like an invitation to the party.
Ultimate Steven Klein is at Phillips, 30 Berkeley Square, London W1, until November 21, 10am-6pm (Monday-Saturday) and 12-6pm (Sunday), phillips.com

Advertisement

Previous article
Cogs of war: Napoleon’s timepieces
Previous article
Next article
This season, fashion is all about monochrome
Next article